As he remembers, it was some sort of military vehicle that was there for years and years. We grabbed our boards from the bushes and had a session with the pros for the 45 minutes it took for the truck with everyone elses boards to show up. In the background you can see them setting up a shot near the crumple car. There was no one living there and you had to come in by boat, even until today its really uncrowded. Here well present a miscellany of facts, trivia and anecdotes from behind the scenes on Big Wednesday. The mythical resonance of the Big Wednesday, the hump-day, when the weeks beginning tips into its end, when the gods of surf and youth reach the apex of their glory, continues to fascinate new generations of viewers. But, when Big Wednesday opened in the spring of 79, it tanked. While the storys original novel treatment was titled We Are Gods, after Warner Bros expressed an interest in making it into a film, Milius approached Surfer Magazine founder John Severson, to acquire the naming rights of his surf film Big Wednesday, released over a decade prior in 61. "Big Wednesday" started as a novel written by John Milius and Denny Aaberg and was initially published in 1978 by Bantam Books. For those of you that dont know about George Greenough, you should learn. (1) The central trio heading out for the final showdown. In Milius film, the surfers are the last true American pioneers whose courage and heroism are forged by their ability to live at the intersection between nature and culture. The extras got paid $60 a day, plus a catered lunch and a bus ride up from Santa Barbara everyday. Because we were at a beach club far away from the city, and werent travelling back and forwards too much, we didnt see much of that stuff, but yeah, they had some bugs out there and we all got sick. Browse the full lineup and get your ticket here. Among these was Kym Herrin, who later gained fame as a Playboy bunny. WL: Tell me about the filming of the final sequence? We pitched up at Sunzal, which happens to be where theyre holding the ISA World Games this week. Also starring Jan-Michael Vincent ("The Winds of War"), real- life mother and son Barbara Hale . Surf star Gerry Lopez, who would later appear as an actor in other films directed by Milius, played himself in the last sequence of the film. Photo via www.bearsurfboards.eu. At some point, Lance bailed. Photo: Stoner, Unlike many Holywood surf flicks, Big Wednesday had real surfers fingerprints all over it. fbq('init', '916699485848838'); WL: Are there any other memories from that trip that particularly stand out? And we knew how good we had it. (1) Cairns in a Sunset tube (2) PT off the bottom. PT leapt at the chance. Shown here walking out to the surf with Dan Merkel and one of his legendary lightning bolt boards. tui annual report 8, 2022. relative viscosity of nylon 6; predictive index cognitive assessment answers; why do baseball players spit so much; Hello world! Business boomed with the late 80s surfwear explosion as Bear expanded its line, replacing fishing as his main source of income. Despite what he describes as a childhood of juvenile delinquency, Milius developed into an accomplished screenwriter, penning a series of hit films in which surfing often featured. The points were aggregated, and surfers were informed of their standing, as well as of the remaining competitions that would constitute the second half of the tour. Above is a distant view of the set they made, a replica of the Malibu wall, complete with lifeguard tower. After that whole period in El Salvador, they wanted to do some shots in California so they set up at Bixby Ranch to get that really sparkling California look. !function(f,b,e,v,n,t,s) Youlll see in the movie Jean and Billy paddling out, pushing under and catching a couple of waves and then youll see the stunt doubles come in. Recently, we called him up at home in Laguna Beach to see what he could remember from his time working on the film. Surf star Gerry Lopez, who would. Theyre riding prop boards, made for the movie, and no wetsuits, since this was supposed to the early sixties Malibu. It was super fun. Nowadays, he lives inland in Connecticut, having traded trimming the waves down the Bu for clay pigeon shooting and smoking cigars in his later years. Big Wednesday - The Hottest Ride Ever: Matt (Jan-Michael Vincent) is praised for his magnificent ride, but he, Jack (William Katt) and Leroy (Gary Busey) know that their summer days are over.. It's all changed now."[7]. IC: Well, we were in the Northern Ranch, where the breaks Cojo and Governments are. Other filming locations included El Paso, Texas; Hollister Ranch near Santa Barbara; Surfrider Beach (in Malibu); Ventura, California; and La Libertad, El Salvador. IC: One day I was at home in Australia and the phone rang and it was Hollywood calling. Most of the shots of Gary Busey paddling out are me, so I kind of have a lot of those stunt double pieces. The nostalgic celebration of friendship is strongly associated with the critique of contemporary capitalist American society. Above he is shooting Billy Hamilton and Ian Cairns in action. Denny Aaberg continues his life long passion for playing music. We all knew it was special, we knew it wouldn't last. Did working with them that winter help smooth things over a bit? "It was a special time," said Aaberg of the 1960s. Because we were at a beach club far away from the city, and werent travelling back and forwards too much, we didnt see much of that stuff, but yeah, they had some bugs out there and we all got sick. Tell me about your experience at the Ranch? Surf is a reoccurring trope in Milius work. A coming of age story, it chronicles the three characters transition to adulthood with parties, surf trips, marriage and the Vietnam War in the background. At some point, old cars were placed on the beach by ranchers to try to keep the surfers out. Initially, Milus and Aaberg set out to write a novel that combined some of Malibus real characters with a grander narrative around surfings mythology. P.S. According to a famous Hollywood legend, Big Wednesday was part of a three-way profit point swap between Milius and his old friends, George Lucas and Steven Spielberg. It inspired the names of things as disparate as the weekly New Zealand lotto draw, an Australian pale ale and countless storms and hurricanes. Working on big Wednesday in 77, we earned 50 grand. The water camera hes holding was one of those ideas. big wednesday stunt surfers big wednesday stunt surfers. IC: For about two months we were on the North Shore, filming mainly at Sunset, but also other places to get pick up shots. Sign up for the Wavelength newsletter to get the latest news, announcements, special offers and event information, Wavelength Media, Unit GF43 & GF55, Winslade HouseManor Drive, Exeter, EX5 1FY, UK, Wavelength Magazine. Above is Peter Townend, with a classic arch stance. Without going to Hawaii it would have fallen flat, but those big wave sequences at the end of the movie are pretty amazing. [The Wavelength Drive-In Cinema is back for 2021, bringing you a range of surf cinema, cult classics and family favourites from the clifftops of Cornwall, kicking off with Surf's Up and Big Wednesday on Friday 16th July. Milius described the film in a 1976 interview: It's a surfing HOW GREEN WAS MY VALLEY: the loss of an aristocracy, the end of an era, the passing of a more innocent time to a more corrupt and complex one-all growing up is the passing of innocence. She later called the film "a classic example of an egomaniacal insane man going over budget and not listening to anyone. Honestly, the whole experience completely ruined me for being back on the pro tour. "[14], Milius at one stage intended to play the role of the Bear himself. The first week was fairly fraught, beset by illness, bad waves and a standoff with a gun-toting local militia. It was written by John Milius and Dennis Aaberg, who met hanging on the beach at Malibu in the late '50s, alongside characters like Miki Dora and Lance Carson. It's about their friendship, and the value of friendship. It combines brilliantly heart gripping surfing action, heart wrenching emotions, and heart uplifting humour, all set against the back-drop of the Vietnam War, teenagers growing up, the wisdom of elders (Bear) and of course, the surfing. Most of the shots of Gary Busey paddling out are me, so I kind of have a lot of those stunt double pieces. "[23], The review aggregator Rotten Tomatoes reports a 67% approval rating, based on 12 reviews, with a weighted average of 6.50/10. Free Delivery on all Orders Over 80. Monster waves swept into Cape Town this week, with surfers jumping at the chance to experience the unforgettable huge surf. "And I can tell you, it's so hard, no one will ever make it again. A day will come that is like no other. They still used a stunt double for a lot of the surfing action, his was Bill Hamilton. The talent behind the lens for the surfing sequences was equally prolific, with George Greenough (fresh off the back of Crystal Voyager), legendary stills photog turned filmmaker Dan Merkel and surf movie pioneer Bud Browne all overseen by Five Summer Stories co-creator Greg MacGillivray. Send her a message via her facebook page if youd like to go. . He has since had a long and illustrious career promoting surfing as a sport. . It took an awful long time to write the script. (1) Peter Townend and actor William Katt. It was a lot of money. The prevailing wind is offshore, summertime theres swells. The surfing scenes used in the finale to Big Wednesday were not filmed in California, where the film is set, but at Sunset Beach in Pupukea, Hawaii. It wasnt just a story about somebody trying to ride the biggest wave or something. The films authenticity was enhanced by Milius connection to the surfing world, which enabled him to bring in experienced surf documentary maker Greg MacGillivray. Lucky for us, Terry was a photographer, and she happened to be friends with George Greenough, who . Several surf legends - Peter Townend, Ian Cairns, Jay Riddle and Bill Hamilton - were involved in the making of the film as stunt coordinators or doubles. xenophon agesilaus summary; My contribution to the movie was telling the assistant director that the license plates on the cars were wrong for the period. Following on from their El Salvadoran debacle, the production set up shop at Hollister Ranch, the privately-owned 8.5 mile coastal stretch of glistening point breaks that sits to the north of LA. In 1975, Warner Bros expressed a strong interest in Milius idea about a surf film, which in turn prompted him to buy the rights to the title of John Seversons 1961 surf movie Big Wednesday. Los Angeles Times 21 August 1977: n7. Nineteen seventy-six was a big year for innovation. Te Herenga WakaVictoria University of Wellington provides funding as a member of The Conversation AU. The films success, as demonstrated by its great popularity in countries such as Italy where surfing is not a prevalent sport, was not limited to its depiction of surfing subculture. Which by contrast seem to contain the frustration of filmmaking."[25]. The enforcer (played by Reb Brown) was loosely based on a Malibu icon Ray Kunze, who patrolled the lineup and looked out for Milius and Aaberg in the late 50s, while Jack Barlow was loosely based on Aabergs older brother, Kemp. By the late 1970s surfing had become a fashionable, popular global sport. Im actually really stoked on the surfing in that final sequence, they did a really good job stitching it all together . The friends include Matt Johnson, a self-destructive type who has a devil-may-care attitude; Jack Barlow, the calm and responsible one of the bunch; and Leroy "The Masochist" Smith, whose nickname tells a lot about his personality. [13], The leads were played by Jan Michael Vincent, Gary Busey and William Katt. Aaberg says there were about 50 extras used for the scenes shot at Cojo. Company Credits Working on big Wednesday in 77, we earned 50 grand. Another luminary brought in for this film was none other than Gerry Lopez. They were sure this guy was a SEAL!. So wed gone from death threats in 76 to having them protect us in the water the following winter. IC: Yeah, we were all there hanging at Sunset. [1], Big Wednesday was a box office flop upon its release, and was quickly pulled from theatres after taking in only $4.5 million. n.callMethod.apply(n,arguments):n.queue.push(arguments)}; Big Wednesday, and she had a front row seat. Surf star Gerry Lopez, who would. WL: Tell me about the filming of the final sequence? The picture stars Jan-Michael Vincent, William Katt, and Gary Busey as California surfers facing life and the Vietnam War against the backdrop of their love of surfing. The heroes are depicted as walking like the kings of an ancient civilisation. I have fond memories of being one of the extras. However, while Star Wars (Lucas) and Close Encounters (Spielberg) would haul in hundreds of millions of dollars, Big Wednesday was a major critical and popular wipe-out, at least initially. The film makers had what they refer to as a cattle call up at the Riviera theater to select the lucky folks. Seversons title referenced a popular myth that posited all great surf days fall on Wednesdays. Big Wednesday is a 1978 American coming of age buddy sports comedy-drama film directed by John Milius. The third lead, Gary Busey, had to learn to surf for the role and after just a few months, ended up joining his co-stars out in the lineup at 12-foot Sunset for the final scene. Theories behind the failure are wide-ranging; the scars of Vietnam were still too raw, there was too much fighting, too much binge drinking and, with the transition brought on by the shortboard revolution complete, the surfing audience viewed the longboard-centric surf scenes as pass. He flew to Hollywood and headed straight for Warner Brothers studios, where he happened to pull up a chair alongside another of the films stars, Billy Kat. This is one of Terrys favorite shots. It was pretty bizarre. There was perfect longboard waves coming through, a little groomed south swell at Cojo Point, and while the surfers managed to get out and score a few waves, it was the extras who had to suffer. Back then they built the whole Hollywood wall set and we were staying in this country town called Lompoc, which is just north of the Ranch, in the middle of farmland, with all the actors and crew. In a 1976 interview, when he was still at the beginning of his career, Milius claimed that my religion is surfing. This thing would be wrapped up in two weeks. "It was the most personal film I'd done," said Katt. Unlike any other film that has been made about surfing, in this one the characters and not the waves are the most important. Filming for the action sequences began with a two-month stint in El Salvador, with the right point at El Sunzal serving as a nice empty stand-in for Malibu. Press release, August 6, 2008. Its pretty sweet, Ill tell you that. He was also responsible for the creation of the surf-obsessed Captain Kilgore and some of the most iconic lines (Charlies dont surf) in Apocalypse Now (1979). Ahead of the release, Hollywood was abuzz with talk of Big Wednesdays impending success. And with that, Ian Cairns was in. They were getting $20 a day plus a whole lot of sunburn to watch perfect waves go unridden.. Great feature on Big Wednesday. You can see the wave all over Instagram today, with all the surf teams there. The seemingly paradoxical juxtaposition between an ordinary day (Wednesday) and epic adjective (Big) also matched Milius double ambition to provide both a realistic account of surfing subculture and to create a long-lasting surf mythology. "The 40th-anniversary edition of 'Big . "I've been working on Big Wednesday a long time," Milius said. This is a great shot of Jan Michael Vincent, one of the actors that actually could surf. I went there 190 pounds and ended up a 170, and in fact one night I was 110 pounds, vomiting and shitting, just incredibly sick. s.parentNode.insertBefore(t,s)}(window,document,'script', He didnt really surf, where as Jean Micheal and Billy were reasonable surfers, so they were down there to have fun, hang out and shoot as many scenes as possible. Sure enough, the next morning we arrived to 4-6 perfect Cojo with only P.T., Cairns, Mark Warren, and Gerry Lopez out. He created this waterproof fiberglass housing for a big, bulky 35 mm movie camera. Milius was flipping out, remembers a chuckling Peter Townend in an interview with Surfline. Above is the Silver Splendor 1956 and below is the Overland Trail 1949 Pullman Club Car . On the set, from left to right, Billy Hamilton, director John Milius, Peter PT Townend, Ian Cairns, Ray Riddle and Gary Busey. 2022 Goleta Surfing. They formed their own company, The A Team. The prevailing wind is offshore, summertime theres swells. Finally, a nice shot of Denny Aaberg, co-writer of the film, enjoying the fruits of his labor. Matt Johnson: You know, Mrs. Barlow, there's something I'd like straighten out. WL: I just watched it the other day and its incredible the surfing you guys are doing on those big single fin longboards. Not to mention a few vintage lenses. Without going to Hawaii it would have fallen flat, but those big wave sequences at the end of the movie are pretty amazing. When he comes home from Vietnam he is an Army Green Beret. We were allowed to be out surfing all the time and Cojo is pretty nice its a bit like Little Rincon at Bells. Or, subscribe to Wavelength now to get free entry to a screening of your choice.]. Raised in Southern California, Milius made Big Wednesday as an homage to the time he spent in Malibu during his youth. Ian Cairns, shown above, was the surf double for Gary Busey. IC: Well in May we were in El Salvador, in the summertime, from August to September we were in the Ranch, then we did surf the winter events on the North Shore. At least half the people who participated are dead now. They said, Hey, its Warner Brothers, do you want to come to El Salvador?. Director Bruce Brown Writers Bruce Brown Dana Brown Stars Patrick O'Connell "Surfing was a brand new sport with its own aristocracy. Writer/director John Milius was born in 1944 and the material draws on a ten year span of his life from the early 1960's to the early 1970's. . But even though we did the Ranch for a month, and El Salvador for a couple of months, they still didnt have the big day, so they just said ok were going to Hawaii., were going to sit up there and make it happen. WL: Can you tell me about getting the call up to double for Busey? Ian Cairns, shown above . According to surf journalist Paul Gross, hard-core surfers found the film too cheesy. No Stress.Just Stoke. From left, Gary Busey, Jan-Michael Vincent and William Katt in Big Wednesday. Purchase Big Wednesday on digital and stream instantly or download offline. Youre not allowed to drive into the Ranch, so every day youd just wait for your car to come and pick you up. I tore up your lawn with my '40 Ford Matt Johnson: Took my pants off in front of your friends Matt Johnson: And I even passed out in your closet, but I never, and I don't know who could have if I didn't, but I never, and I repeat never, ever pissed in your steam iron. ), Cairns was renowned for his big wave prowess and radical manoeuvres in smaller waves. They still used a stunt double for a lot of the surfing action, his was Bill Hamilton. IC: Well in May we were in El Salvador, in the summertime, from August to September we were in the Ranch, then we did surf the winter events on the North Shore. So, PT told Milius, hey, Ive got a bronzed Aussie buddy who could replace him. n.queue=[];t=b.createElement(e);t.async=!0; We pitched up at Sunzal, which happens to be where theyre holding the ISA World Games this week. Privacy Policy / Terms & Conditions. [3] It was inspired by a short story Aaberg had published in a 1974 Surfer Magazine entitled "No Pants Mance",[4] and published by Australian surfing magazine Tracks in April 1973[5] and the lives of a group of friends who used to surf with Aaberg and Milius including Lance Carson. Unlike many Holywood surf flicks, Big Wednesday had real surfers' fingerprints all over it. In the last sequence of the film, the three are reunited to face the Great swell of 74, which represents the final moment in this maturation process. Milius and Aaberg based their script on their own stories about Malibu, which in the film would be referred to as The Point. Shop Now, 8 OF THE BEST FEMALE SURF RETREATS FOR 2023, Where To Surf In Italy The Wavelength Guide. Free Delivery on all Orders Over 80. ), For starters, it was only decided that the tour was a tour halfway through the year, with a few events from the dozens of surfing comps that had already taken place around the world chosen retrospectively as the opening leg. We know these are freesurfing shots because hes riding a late 70s shortboard. "[7], "A lot of things [in the film] happened to me," said Milius. Similarly, the ocean and the American west coast symbolise the possibility of a return to the frontier, the physical and symbolical home of the authentic American character. Join us in a beautiful clifftop location overlooking Watergate Bay in West Cornwall on July16th for a drive-in screening of the film. HD. Which brings us to the extras. IC: We were with the whole Hollywood crew, and the stunt coordinator was this really famous guy that did Harrison Ford in the Indiana Jones movie called Terry Leonard, a real mans man. When Milius saw them sat next to each other, he couldnt believe the likeness, immediately switching PTs role to that of Kats double instead. When we saw these photos, we contacted surf legend Denny Aaberg to give us some more insight. Privacy Policy / Terms & Conditions. Our best coup was stashing our boards in the bushes the night before a swell was supposed to hit. For those of you that dont know about George Greenough, you should learn. Can't play on this device. [1] William Katt explained in a 1979 interview with Roger Ebert a year after the film's release that he believed the movie's failure was due to the marketing focusing only on the fight scenes and surfing angle. Matt Johnson: Well, I did a lot of things around here I'm kind of ashamed of. That experience working on Big Wednesday was kind of how I hoped pro surfing would be. To date Milius last major film-making credit is as creator of the acclaimed HBO TV show Rome in 2005. fbq('track', 'PageView'); Copyright 2020 Surfing.LA. MacGillivray, in turn, supervised a team of surf cinematographers. Big Wednesday Jump to Edit Summaries The lives of some California surfers from the early 1960s to the 1970s. A classic of the era, live screenings of Big Wednesday loomed large in Milius early years and he figured the title fit perfectly with his script, representing a juxtaposition between the banality of the mid-week and the dynamism of the swell of the decade. Except for Big Wednesday, none of the Milius-directed films have a satisfying conclusion. They were depicted as both titanic figures who embody physical perfection and barbarians who refuse to conform to the rules of civilised society. We had to convince them otherwise. Another famous water photographer, Dan Merkel, was hired to shoot this film. When the film was released in May 1978, everybody the director, the producer and the prospective viewers had big hopes for it. Denny Aaberg continues his life long passion for playing music. His presence had been specifically requested by one of the films starring trio, Jean Michelle Vincent, who happened to be a personal friend of Townends after the pair had met half a decade earlier surfing at Californias Hollister Ranch. Big Wednesday: Directed by John Milius. We never got a Big Wednesday day down there, and I was always just saying to Milius, dude, you should have just gone to Western Australia. All Rights Reserved. [10] In August Milius announced Big Wednesday would be postponed because the script was not ready and he would instead make Extreme Prejudice. Tell me about your experience at the Ranch? ), For starters, it was only decided that the tour was a tour halfway through the year, with a few events from the dozens of surfing comps that had already taken place around the world chosen retrospectively as the opening leg. A lot of them died in Vietnam and OD'd on dope. Too bad the movie sucked, the premiere at the Arlington was pretty exciting anyway.. WL: Can you tell me about getting the call up to double for Busey? It was a full circus going on at all times, recalls Art Brewer, who didnt have an official role, but was often invited to hang out on the set. Or, subscribe to Wavelength now to get free entry to a screening of your choice.]. When it comes to authentic depictions of a surfing life, few Holywood films hold a candle to 78 cult classic Big Wednesday. The film is set in California between 1962 and 1974 and follows the lives of three surfers: Matt Johnson (Jan-Michael Vincent), a self-destructive local surf star, and his two best friends, Leroy The Masochist Smith (Gary Busey) and Jack Barlowe (William Katt). I mean, you had George Greenough in his black and white Highway Patrol car, burning down the dirt roads and then coming into the lot doing donutsIt was more like a party than a working situation, and for me it was just like another day at the beach. Write an article and join a growing community of more than 160,500 academics and researchers from 4,573 institutions. Next day, the cars had new (old) license plates. Every morning wed meet at Earl Warren and get on a bus for the ride up, going through the Jalama entrance to Bixby. Browse the full lineup and get your ticket here. It also illustrates the problems with many of his other movies. We surfed there and down at La Libertad and it was pretty fun, just hanging out with the crew. The production assistant tried to shoo her off when he saw her camera but George told them she was a regular and harmless, so they let her keep shooting. I don't think that kids today have the same kind of values that these people had then; I don't see movies being made about that kind of thing. WL: So it was year two of the new IPS tour, and you were defending a runner up spot, did all that filming not get in the way of competing? But then it just reverted back to normal from there on, it wasnt like wed bought a lifetime membership into the Hui. This is a great shot of Jan Michael Vincent, one of the actors that actually could surf. A few of the extras,including Kym Herrin in the blue dress. It was super fun. Even luckier was Denny, who got to help choose from hundreds of cute little beach bunnies. Wed surf and then get a filet mignon for lunch. It was pretty bizarre. Hank Worden for some reason took a small role as a guy that pushed a shopping cart around. This movie is about friendship: surfing is just the background. "The novel is a story about old Malibu, its waves, its local characters, and what it was like to surf there in the 1950s and 1960s," explains Aaberg. (as Karen Rea Grossman) In the end, the trip set the production back half a million dollars and yielded just four minutes of useable footage. Milius, well-known for his involvement in successful productions such as Jeremiah Johnson, Dirty Harry and The Wind and the Lion, was considered to be one of the most promising filmmakers in Hollywood. The first boards were shaped in 1977, by famous board shaper Bill Hamilton. Wed have certain times where wed be shooting scenes and the rest of the time we were just hanging out on the film set watching shit happen. This is a faux pas of no mean eminence; after all, Miss Hale actually is Mr. Katt's mother. The picture stars Jan-Michael Vincent, William Katt, and Gary Busey as California surfers facing life and the Vietnam War against the backdrop of their love of surfing . Shop Now, Kanga The Trials and Triumphs of Ian Cairns, 8 OF THE BEST FEMALE SURF RETREATS FOR 2023, Where To Surf In Italy The Wavelength Guide. All of a sudden he realised hey theres a lot of shit going on out there in the water. A 20th Anniversary screening (which included cast and crewmembers) took place at the Newport Film Festival in 1998. September 10, 2020. Most importantly, upon its release, Big Wednesdays premise that passion for surfing had an expiration date was unthinkable. Apple Computers was founded, NASA unveiled its first space shuttle, Concorde took its maiden commercial flight and, of equally critical importance, surfing had its very first crack at a joined-up international contest circuit. His presence had been specifically requested by one of the films starring trio, Jean Michelle Vincent, who happened to be a personal friends of Townends after the pair had met half a decade earlier surfing at Californias Hollister Ranch. You know theyve got craft services there so you can go to the catering truck and order anything you want. This is a great shot of Jan Michael Vincent, one of the actors that actually could surf. The lives of some California surfers from the early 1960s to the 1970s.The lives of some California surfers from the early 1960s to the 1970s.The lives of some California surfers from the early 1960s to the 1970s. We had a helicopter [for filming] and all these fit surfers with really short haircuts, so these guys figured we were CIA, U.S. military or something. If you continue to use this site we will assume that you are happy with it. "But I couldn't," he said. "I'd lived that life since I was ten. "We very much want it to be authentic. I first saw this film in 1978, my father took me to see it with my brothers at the drive-in as a double feature with "Every Which Way But Loose." Milius wrote the script with his friend and fellow surfer, journalist Denny Aaberg. While working on the script, Milius and Aaberg used Samurai stories, the Arthurian saga and Herman Melvilles Moby Dick as sources of inspiration.
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